Ana Andrejevna Ahmatova je bila znamenita ruska pesnikinja, kritičar i Pesme je objavljivala pod pseudonimom Ahmatova (tatarsko prezime. Dobro došli! Na prelepoj poeziji vas očekuje: srpski pesnici, strani pesnici, ljubavna poezija, rodoljubiva poezija, dečija poezija, misli velikana, kvizovi. Transcript of АANA AHMATOVA. AKMEIZAM je pravac Pesme piše već od godine, a prvu zbirku će štampati Pre toga, , stupa.
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Petersburgwhen she was eleven months old. It promoted the idea of craft as the key to poetry rather than inspiration or mystery, taking themes of the concrete rather than the more ephemeral world of the Symbolists. Akhmatova had a relationship with the mosaic artist and poet Boris Anrep ; many of her poems in the period are about him and he in turn created mosaics in which she is featured.
Akhmatova’s father did not want to see any verses printed under his “respectable” name, so she chose to adopt her grandmother’s distinctly Tatar surname ‘Akhmatova’ as a pen name.
A ghost, a thief or a rat Karamzin tells us that this marked the end of the Mongol yoke on Russia. Ahmqtova diamond rings and one emerald were made from her brooch.
Instead, they reflect the way we actually think, the links between the images are emotional, and simple everyday objects are charged with psychological associations. Her dacha in Komarovo was frequented by such poets as Yevgeny Rein and Joseph Brodskywhom she mentored.
The Stogovs were modest landowners in the Mozhaisk region of the Moscow Province. Her father, Andrey Antonovich Gorenko, a naval engineer, and her mother, Inna Erazmovna Stogova, were both descended from the Russian nobility.
АANA AHMATOVA by Andrea Beata Bicok on Prezi
See Martin p. Her friends died around her and others left in droves for safer havens in Wna and America, including Anrep, who escaped to England. The work in Russian finally appeared in book form in Munich inthe whole work not published within USSR until It represented, to some degree, a rejection of her own earlier romantic work as she took on the public role as ahmativa of the Terror.
Published by the Poets Guild. In the eighteenth century, one of the Akhmatov Princesses — Praskovia Yegorovna — married the rich and famous Simbirsk landowner Motovilov. She moved away from romantic themes towards a more diverse, complex and philosophical body of work and some of her more patriotic poems found their way to the front pages of Pravda. According to the historian Rayfield, the murder of Gumilev was part of the state response to the Hamatova Rebellion.
Random House Webster’s Unabridged Dictionary. After being displayed in an open coffin, she was interred at Komarovo Cemetery in St.
Anna Akhmatova – Wikipedia
She was shortlisted for the Nobel Prize in  and received second-most three nominations for the award the following year. My terror, oh my son. She was condemned for a visit by the liberal, western, Jewish philosopher Isaiah Berlin inand Andrei Zhdanov publicly labelled her “half harlot, half nun”, her work “the poetry of an overwrought, upper-class lady”, her work the product of prsme, mysticism, and political indifference”.
A stately, grey-haired lady, a white shawl draped about her shoulders, slowly rose to greet us. She went on to study law at Kiev Universityleaving a year later to study literature in St Petersburg.
Akhmatova narrowly escaped arrest, though her son Lev was imprisoned on numerous occasions by the Stalinist regime, accused of counter-revolutionary activity. Akhmatova wrote that by every time she went to see someone off at the train station as they went into exile, she’d find herself greeting friends at every step as so many of St Petersburg’s intellectual and cultural figures would be leaving on the same train. On returning to Leningrad in Mayshe writes of how disturbed she was to find “a terrible ghost that pretended to be my city”.
Yegor Motovilov was my great-grandfather; his daughter, Anna Yegorovna, was my grandmother.
Nobel Media AB Kunitz and Hayward p. Nikolai Punin died in labour camp. They looked to a past in which the future was “rotting”.
They were moved here after the insurrection during the time of Posadnitsa Marfa. InAkhmatova started her Poem without a Herofinishing a first draft in Tashkentbut working on “The Poem” for twenty years and considering it to be the major work of her life, dedicating it to “the memory of its first audience — my friends and fellow citizens who perished in Leningrad during the siege”.
She died when my mother was nine years old, and I was named in her honour.
Primary sources of information about Akhmatova’s life are relatively scant, as war, revolution and the totalitarian regime caused much of the written record to be destroyed. Her second collection, The Rosary or Beads — Chetki appeared in March and firmly established her as one of the most popular and sought after poets of the day.