The Art of Travel. Few things are as exciting as the idea of travelling somewhere else. But the reality of travel seldom matches our daydreams. The tragi-comic. A arte de viajar. Front Cover. Alain de Botton. Dom Quixote, – pages Bibliographic information. QR code for A arte de viajar. Poucas atividades estão tão associadas à busca da felicidade quanto o desejo de viajar para lugares distantes. Embora não faltem publicações que.
|Published (Last):||21 July 2009|
|PDF File Size:||10.21 Mb|
|ePub File Size:||14.48 Mb|
|Price:||Free* [*Free Regsitration Required]|
I loved the chapter featuring a lot of van Gogh and also the Ruskin-heavy one. The author is obviously very well read he even includes a bedroom photo complete with bookshelf as evidenceand the book is littered with quotes and tales from various historical figures.
Move on Moving Solutions. In fact, I think Botton is missing out on the thrill of travel that is unknown, unsafe, and lacking in the pretentious wanderings of a big city. The very personal contemplation — de Botton’s I-experiences — also don’t work to best effect here. Afte, although I am not embarking on any significant travels this year, this book nevertheless feels remarkably relevant to me personally.
Art unifies the sections — and there is some narrative flow — but on the whole it could have done with a tighter structure. bktton
A Arte de Viajar
See all 4 questions about The Art of Travel…. I loved the chapter featuring a lot of van Gogh and also the Ruskin-he Actual rating 3. Coincidences like that make my day. With Botton’s help, I now have more tools.
In the subsequent chapter he describes his first visit to Provence and how grumpy and unimpressed he was until he opened his host’s coffee-table book on van Gogh and his last years in the same area. Travels in Europewhich is a lighter, funnier, and less intellectualized travel read.
Return to Book Page.
The Art of Travel by Alain de Botton
The thesis that resonated with me the most was the simplest: Both sides of this juxtaposition viajjar exquisitely crafted. To condemn ourselves for these minute concerns is to ignore how rich in meaning these details can be. Even as de Botton takes the reader along on his own peregrinations, he also cites such distinguished fellow-travelers as Baudelaire, Wordsworth, Van Gogh, the biologist Alexander von Humboldt, and the viajra eccentric Xavier de Maistre, who alzin the wonders of his bedroom.
What I got was a book of two halves. But, as he points out: He is most insightfully expressive with regard to perspectives and perceptions, which, lucky for the reader, penetrate wlain portions of the novel. Not all of us have wealthy friends in the French countryside or have the means of staying at an exclusive hotel in Barbados. It is not necessarily at home that we best encounter our true selves. Through avenues such as poetry, writings from some of histories great travel philosophers, artwork, writings from scenic painters, fetching photographs, and through his own personalized experiences and intellectual insights, de Botton provides the reader with a greater bltton and appreciation of travel; new paradigms that can result in more visceral and illuminating travel experiences.
The mind may be reluctant to think properly when thinking is all it is s “Journeys are the midwives of thought. Well-read, with some artistic sensibility and a bit of a philosophical bent, de Botton generally makes an amusing if occasionally irritating guide.
Interestingly de Botton, always so keen to explore every detail, doesn’t pause to consider what it might mean that she is blocking him and the lovely beach out with her headphones and reading Durkheim. But later on, in discussing the Lake District in England and Wordsworth its first and most ardent admirer de Bott A very interesting little book that opened my eyes in a number of ways, and helped me to understand part of why I’m not a very good traveler.
The book uses authors and poets and painters that we all know and love to help us think about how to fully experience our world. There are no women represented except as companions or objects of desire for men. Each piece focusses on a specific place or severaland is considered through the refractive lens of some literary or artistic guide — Ruskin, Van Gogh, Edmund Burke, Edward Hopper, among others. You can appreciate this book quite nicely even while sitting on the couch at home, but I happened to read it while travelling in Honduras.
Apr 12, Gordon rated it really liked it. As you know, I love to share my experiences with you here on the blog. I don’t know, I guess Buttons ways and philosophies of traveling are not like mine. At first, he provides sound, interesting, and useful philosophies on art. Every once in a while I find myself involved in a moment of overwhelming beauty or profound peacefulness.
De Botton recognises and reminds readers that much of travel is uncomfortable, disappointing, and even boring. The mind may be reluctant to think properly when thinking is all it is supposed to do.
A nice contrast is world-traveller Alexander von Humboldt and Xavier de Maistre, best remembered for his Voyage around my Room see our review with de Botton correctly pointing out that de Maistre — unlike the fictional des Esseintes — actually also had gotten around quite a bit in the world.
Honestly, this was aalain bit of a disappointment to me after reading such great reviews. Sometimes I struggle to decide how much detail to include, knowing that some of you will be interested in particular aspects of a story while others will not. Few places are more conducive to internal conversations than a moving plane, ship or train. Reading that chapter was like a spiritual awakening; something akin to the transcending experience one feels when looking at slews of massive mountaintops or stretches of distant, barren deserts.
Much of this is quite well done: Why fall in love with a place because it has trams and its people seldom put curtains in their homes?
Alain de Botton is laain writer and television producer who lives in London and aims to make philosophy relevant to everyday life. De Botton even often emphasizes the simplest form of travel: I’ve also seen him a few times on a BBC series about different philosophers, and the same charm is evident in person.
The structure of this book is deceptively simple to summarize: