El Chorruelo. Bulerías. Paco de Lucía. Luzía 1/2. = Standard tuning x Falseta 4. Capo. fret 3. 4. 2. 6. 0. (0). 5. 3. 3. 6. 5. 5. (5). 3. 5. 5. 3. 3. El Chorruelo. Bulerías Paco de Lucía Luzía Standard tuning. = x Falseta 4. Capo. fret 3. 0 (0) 6 6 5 5 (5) 2 3 3 3 5 5 5 5 5 4 5 5 3 3 5 7 5.
|Published (Last):||13 November 2011|
|PDF File Size:||10.47 Mb|
|ePub File Size:||5.76 Mb|
|Price:||Free* [*Free Regsitration Required]|
Por esta razon voy a contestarle en Espanol, asumiendo que es dde lengua materna como la mia. For the sake of the forum and for Ruben to keep posting lessons, that’s what I’ll do.
Diaz, Es obvio que tratar de discutir con usted en Ingles es imposible ya que ha malinterpretado casi todas las respuestas de otros miembros.
Creo que su habilidad como guitarrista y el hecho de conocer a Paco de Lucia personalmente se le ha subido a la cabeza Yo acepto que usted es un muy buen tocaor y una fuente enorme de informacion flamenca. As a total beginner you are almost lost as you even don’t know what compas chotruelo.
But between the lines, i have the feeling that you simply don’t accept any other opinion about ANYTHING other than yours, and that oucia you see such an opinion about something that may differ from yours, you feel like it is an attack againts you or disrespect and that everyone wants to be paxo teacher and a “pilot” now!
Many think their ways of holding the hands or doing any technique is the only right way and force the students to learn it that way. Socrates once said, “I know you won’t believe me, but the highest form of Human Excellence is to question oneself and others. What shall i do now? Have you ever kicked a football?
For example the first part is absolutely correct.
La Villa vieja by Paco de Lucia – Full Score Guitar Pro Tab |
But if we all do that, we will be simply cheap Copies of Paco. We will never be as good as Paco and we will never have a distinctive Style. I would even accept that some players have higher technical skills, but don’t mention things paaco Aire please. The technique of the language, on the other hand, is something that belongs to all who can understand it sorry, what do you mean? I am highly interested to try to learn what you are teaching and to follow instructions without discussing about any technical aspects, just listen and learn.
For example, now that we spoke of Paco and Diego: We receive 12, visitors a month from countries and 1. Y si su unico interes es ensenar el material de Paco, entonces por favor hagalo de una manera mas abierta y respetuosa ya que uno aprende al maximo cuando respeta al que le esta ensenando. Then, you realize that it is not easy at all, IF you want to pacl it with that specific Aire and Vibe!!!
But i think a real disrespect would be if i just download your videos for free, and don’t even bother what you are talking about, just like people who come to the foro to just download tabs for free for which others put a lot of work into, and then just dissapear and who are not interested in any discussion or the forum in general. It was NOT my intention to disrespect you but i was a little bit offended as i felt that there is some disrespect going on here dde other good guitarists and also because i am huge fan of Diego.
Without that, you won’t be able to play what you want and you would be restricted!
Pero esto no quita que usted tenga respeto hacia el resto de los miembros de este foro y del arte flamenco. That is what i meant with “different faces of flamenco”. Because i can see that you are a top notch guitarist and teacher.
But my eyes and heart are open and i see the beauty of flamenco guitar which appears with different faces almost everywhere out there. As you rightly said, internet is very useful, but it is also very dangerous if you do not know how to use it properly.
But to get the best results, everybody should learn as much as one can from as many teachers or better said: And i agree with you that one should deeply beeing in to something, analyse it and do everything possible, if you want to really learn it. Why do we have these special things in Flamenco like “Aire”, “Duende” etc?
Nosotros no lo conocemos a usted y le hemos respetado la opinion desde el comienzo. I can assure you and others that may read this thread that Adam del Monte and Richard Marlow Ricardo are indeed both “Bonafide ce of flamenco chorrueol. Yes, i have favourites too. Argentina living in U. If his sentences have a high quality, he dont need to do large monologues. Anyways, one disadvantage of internet is that people don’t sit face to face to talk about a subject and that could create a lot of misunderstanding.
I mean this would be crazy! Skilled players are often not good in teaching.
Download Section / Paco de Lucia Repertoire
And i don’t think that “taste” and “knowledge” should be seperated in Music. A few sentences suffice. For example you could have never reached us without internet and may only be teaching few people from Toronto.
Is this a disrespect to Diego? Isn’t that the goal of every musician Amateur or Pro, doesn’t matter?